00:13:39.720 - 00:14:00.480

Unknown: Now that I have taught for many years and have grown to need young people so that I panic after all in thinking that soon I might not grow and debate in daily hours among the young and beautiful

00:14:09.000 - 00:14:39.060

no I'm burdened to relieve their awful futures and worlds decline and can offer nothing I can my own mollify to watch wheat growing in their home and man's blood thriving in their eyes. What was it say? all's

00:14:39.060 - 00:15:08.430

well. world will sure that rowsley bores what only I can help them think is just within the art I teach as many facts clean fully out of superstition as I may History conjoined with sense, where history is stable you know, where musics, facts

00:15:08.460 - 00:15:52.560

and history diverge. We seek society and fine persuasions remedy birth, another superstition. Society burns, it makes possible the fact and also cherishes delusion. Nature is everywhere and forever, huge lot of human

00:15:52.560 - 00:17:06.990

works, some RGB preferred a ball of others to find these and to raise joy, what more can I do? And then we have one other special surprise treat and this time, I'd like to invite up the composer and a good friend of

00:17:06.990 - 00:17:29.070

loops and one of his protege is Phil Collins who wrote the next little tribute. Thank you. Marin's had to make sure that this is shorter than the piece so I'm already running out of time.

00:17:31.350 - 00:17:46.260

Let's see. Okay, there we go. That looks pretty good. Right? Okay. You're all right. The pieces called Luke delu. And you can take that however you want. If you're in the minimalism, there are some loops

00:17:46.260 - 00:18:03.270

in that way. And there are some loopy things that happen in it. And it's 80 bars long. And I did that as a very kind of meaningless, parallel to lose 80 years and last time I talked about it. I mentioned all these possible correlations. And

00:18:03.270 - 00:18:18.450

afterwards, people were scratching their heads asking me when when things really happened in the piece and I this these 80 bars don't really align with lose life, as I said in the last talk, and it's just a lot of fun for a couple of minutes and a

00:18:18.450 - 00:18:22.800

half and I very honored to have the could be orchestra playing it. Thanks